Thursday, March 21, 2019
The Humanization of Modern-Day Film Vampires Essay -- Movies
The Humanization of contemporary Film Vampires His thirsts have not changed. He craves the taste of blood, the warm, life-sustaining liquefied that flows so gently from the necks of his victims into his own foul mouth. He continues to hunt in the night, cursed forever from the purity of sunlight, and his immortal body still carcass ageless, untouched by the rugged sands of time and trauma. Yet somehow the vampire is different than he once was. He is richer, more homophile in color. His clothes are no longer binding and expound as the capes and suits of old he practically opts for simple denim or leather pants and coats. In fact, the modern vampire can often be mistaken for any other man or womanhood out for a midnight stroll. These observations all show evidence of the humanization of vampires in pop culture, an evolution from the soulless, purely evil animals they once were to merely minaciouser versions of man. As humans struggle to control their own inner desires under the angle of society, increasingly protagonist vampires question and fight to suppress their own dark thirsts. It is this denial of nature un subsistn to the strictly evil vampires of old that identifies the modern-day film vampires more closely with their human counterparts today. Vampires, in retrospect, werent constantly the socially in-tune creatures that they are today. For what reasons did these changes occur? According to social critic I.C. Jarvie, if we looking at again at the movie past . . . we find that the critical posture, the characterization of society, has long been an important subtradition of the American cinema (Social Criticism xiii). Thus, if we refer bum to some of the earliest vampire films, we might receive some clues close the nature of the society that bir... ...to pursue it. As Benjamin Hoff remarks in the Tao of Pooh, when you know and respect your own Inner Nature, you know where you belong (41). Perhaps, in manikin what were once seen as beasts after us, we are learning to accept instead than shun our own primitive natures. Our place in the world is as creatures that are human.Works CitedDay, William Patrick. Vampire Legends in Contemporary American Culture. LexingtonUniversity budge of Kentucky, 2002.Hoff, Benjamin. The Tao of Pooh. New York Penguin Books 1982.I.C. Jarvie. Movies and Society. New York Basic Books, Inc., 1970.I.C. Jarvie. Movies as Social Criticism. Metuchen The Scarecrow Press, Inc., 1978.Ursini, jam and Alain Silver. The Vampire Film. Cranbury A.S. Barnes and Co., Inc., 1975Waller, Gregory A. The Living and the Undead. Chicago University of Illinois Press, 1986.
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